![]() ![]() ![]() Although little is known about her daily life, Davis effectively paints the social and cultural context in which Gautreau became “the bold era’s bold new ideal of female beauty.” The author gives us as well the parallel story of Sargent, an American born in 1856 in Italy, and his rise to prominence in the European art world. The family moved to France when she was 8 (the Civil War had damaged their American holdings), and in 1878 the strikingly beautiful 19-year-old married a wealthy older man. ![]() The model for Sargent’s painting was Virginie Amélie Avegno Gautreau, born in 1859 into Louisiana’s French Creole high society. Although not an art historian, the author relentlessly pursued the story in museums, archives, and libraries. Whatever the idea’s genesis, readers will enjoy this brisk, sometimes breathless account of the creation of the work the artist once called his best. Compelling backstory of the painting that scandalized the 1884 Paris Salon.ĭebut author Davis, a former film executive and story analyst, says that her curiosity was piqued about Sargent’s painting when she wore a dress like the one pictured in the artist’s once notorious and now priceless Portrait of Madame X. ![]()
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![]() "Reliving the Nashville flood is painful but inspiring no one tells the story better than Owen. But what would emerge triumphant from the depths of such profound darkness was a community of family, friends, and strangers far more steeped in love, hope, and kindness than they could ever possibly fathom. Destruction in communities and businesses was both total and personal, as Owen Grimenstein lost his home, most of his possessions, and very nearly, his own life. This memoir is the true, first-hand account of one man's survival during the Nashville floods of 2010, as entire neighborhoods were submerged, streets ran like rapids, and lives were lost. Watch the trailer for Under Water here: https: //What was originally expected to be a typical Tennessee spring rainstorm in May of 2010 suddenly and swiftly churned into the fourth largest, non-hurricane natural disaster in American history. ![]() ![]() OL17708417W Page-progression lr Page_number_confidence 92.33 Pages 328 Ppi 300 Related-external-id urn:isbn:0857078143 She realizes that only by confronting the Valentine Killer will she be able move on with her lifeand it’s up to her to put together the pieces before he strikes again. Read millions of eBooks and audiobooks on the web. ![]() Access-restricted-item true Addeddate 15:16:33.267244 Bookplateleaf 0010 Boxid IA1151318 City New York, New York External-identifier Read Paper Valentine by Brenna Yovanoff with a free trial. ![]() ![]() Arendt's thesis is that the concerns of the vita activa are neither superior nor inferior to those of the vita contemplativa, nor are they the same. Karl Marx flipped the hierarchy, claiming that the vita contemplativa is merely a superstructure on the fundamental basic life-processes of a society. Ancient philosophers insisted upon the superiority of the vita contemplativa, for which the vita activa merely provided necessities. ![]() Structure I – The Human Condition Īrendt introduces the term vita activa (active life) by distinguishing it from vita contemplativa (contemplative life). ![]() The work consists of a prologue and six parts. A second edition, with an introduction by Margaret Canovan, was issued in 1998. The Human Condition was first published in 1958. ![]() She distinguishes three sorts of activity (labor, work, and action) and discusses how they have been affected by changes in Western history. Arendt is interested in the vita activa (active life) as contrasted with the vita contemplativa (contemplative life) and concerned that the debate over the relative status of the two has blinded us to important insights about the vita activa and the way in which it has changed since ancient times. The Human Condition, first published in 1958, is Hannah Arendt's account of how "human activities" should be and have been understood throughout Western history. ![]() ![]() Engaging humor and steamy romance give this captivating regency a fine polish.ĭecemLabeled the "Scottish Sausage" by a vindictive rejected suitor and his cronies during her first London season, Josie Essex, youngest of the four Essex sisters and the only one unwed, is convinced she is fat, unattractive, and doomed to be a spinster. ![]() James is skilled at bringing her characters fully to life, gracing Josie's feelings of inadequacy and Mayne's false sense of love with the believable, individual quirks that draw them to each other. As Josie begins attracting various suitors and Garret wrestles with his feelings for her, an intriguing subplot has the ton speculating on the identity of the "earl of Hellgate," whose scandalous, anonymous memoirs have been making the rounds. But Garret is engaged to a beautiful, genteel French aristocrat, having abandoned his former rakish ways. When Josie is insulted at a ball, Garret, earl of Mayne, whisks Josie back to his home where his friendly tutelage on attracting a man results in a fleeting moment of passion. ![]() Nicknamed the "Scottish Sausage" by a rejected suitor, Josie believes that no man will ever seriously court her because her figure is too ample. OctoIn the final installment in her Four Sisters series (after Taming of the Duke ), James tells the story of Josie, the only Essex sister yet unmarried. ![]() |